![]() Once you've got some answers, you do your initial sketches, from several different angles, and with certain aspects of the costume labeled and/or explained. What tools would he have had to construct this garment, and therefore how shoddily will it be put together? Will parts of it have visibly dried blood (it's a Burton picture, so there's a good possibility) or is that too graphic? If he grew up in a cave, is it horribly filthy? Maybe it even has dead caterpillars and whatnot stuck to it? Before starting on the design, you have to ask yourself all kinds of questions. Say you're the costume designer for Tim Burton's next film (how in the world did you land that gig?), and you have to design the costume for the main character-a man who grew up in a cave, was raised by bears, and wears a garment he constructed himself out of wolfskin.īurton sure does have some imagination, doesn't he? Well, you'll need to have one, too. There's no point in a costumer designing a hoodie for a character if the hair specialist is giving them a Marge Simpsonesque three-foot 'fro. They'll also coordinate efforts with hair and makeup people so that there is a consistent flow in terms of each character's appearance. Once they understand how each costume should look and feel, and have substantially researched the era of the piece, the designer will go about designing and crafting everything that'll be needed in the course of production. What time period is this set in? What's the overall color scheme? What are the motivations of each character? Does the director have a particular aversion to all things orange? You could design the Blouse of the Rising Sun.Ĭostume designers start by getting together with a director (for a stage play) or director/production team (for a film) to determine what exactly will be needed. A lot of these older rockers don't have much of a voice left either, so they're relying heavily on the glitz and glamour…which is where you come in. With the piracy issues surrounding Napster and iTunes and the subsequent declining album sales, bands are touring now more than ever before, which means costume designers for rock concerts are more in demand. The music industry has been hit hard lately too, but in this case it may actually help you. You think Lady Gaga had that meat dress hanging in her closet? There is always theatre (even if it doesn’t pay nearly as well), and don't forget that rock stars need costume designers, too. Still, there are plenty of avenues to pursue if the Hollywood well continues to dry up. Studios are making fewer films these days, which means the opportunities for all those who work on studio films has gone down, too. The movie business isn't the easiest business to get into. Depending on the project, it may also be a piece of but the point is that you're being creative. Aside from being around more shoes, hats, and cloth than you can shake a stick at (and why would you do that? It's not like you're trying to scare them away), you get to take an active part in creating an important element of a piece of art. Maybe you should consider costume design as your life's work. And this Halloween-once-a-year deal isn't doing it for you. However, you think you might be quite adept at crafting more elaborate, over-the-top pieces that no one is necessarily going to actually put on before leaving the house. You don't have quite the creativity or the connection with the buying public to come up with new, wearable fashions almost entirely from scratch. If you had to choose between your car and your snakeskin belt, you'd take the belt.īut fashion design doesn't exactly suit you. When you're feeling sad and lonely, you cuddle up with your favorite blouse. You feel positively giddy when you put on your Jimmy Choo shoes. Not just wearing them (hopefully you do), but just being around them in general.
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